There is an interesting exhibition in The Mission Gallery of Claire Curneen’s sculptures. Although I have looked at her work before, it was a completely different experience seeing the “characters” in person and displayed in an old converted church. This gave certain sculptures a strange religious reference from having certain details such as nails sticking out of their torsos or nettle-like crowns surrounding their heads.
As I was the only visitor at the time I found silence had an unusually unnerving effect on me, as if the sculptures were watching me.
(The images above were taken from the exhibition of Claire Curneen’s work)
When asked to create a visual response to Curneen’s work the first thing I thought of was how on certain sculptures it wasn’t the details that seemed to be important but rather the shapes. Using this as inspiration I used some of my images of close up faces as well as people standing, turned them black and white and printed them out onto A4 normal paper. I then layered the image with clean white A4 papers so the image became impossible to see except for when a light is hitting the back of the frame. This gave me the outline of the person, almost in a toned down way, where areas were not quite in focus. Although I am not entirely happy with these images it is something I enjoyed experimenting with and may continue experimenting with in my practise.
(The images above I created myself)